Monday, July 31, 2006
Self Portrait
One of the things that I try to remember to do wherever I go is take some kind of self portrait -- this is the self-portrait from the D.C. trip. Click to enlarge.
Sunday, July 30, 2006
The bird man
Saturday, July 29, 2006
Security
Friday, July 28, 2006
For Josh
Thursday, July 27, 2006
Napping
Wednesday, July 26, 2006
Grand Canyon
Been' scanning some of my old slides -- this is a Velvia shot (can ya tell?!) from the Grand Canyon a couple years back:
They're actually sitting on a precipice -- after the edge of which, it's about 1000 feet straight down before you hit the first rocks (and then another 1000 or so feet if you bounce off of that.) Click to enlarge.
They're actually sitting on a precipice -- after the edge of which, it's about 1000 feet straight down before you hit the first rocks (and then another 1000 or so feet if you bounce off of that.) Click to enlarge.
Just one more
Caution
Tuesday, July 25, 2006
Busted camping trip
This is one of those posts that'll probably only be an interesting read to friends & family. :)
A couple of weeks ago, Josh, Lydia, & I were going to go on a camping trip. We ended up aborting that idea after some jonesing jackass busted out the window of Josh's car and skipped off with Lydia's purse, but we did salvage the day by going on a photoshoot out in the wild and at James Arthur Vinyards. My digital camera is in the shop to help the tech repair one of my lenses, so I was stuck using my old EOS-3 & a 50mm for normal stuff and my mom's old OM-1 with a Vivitar 80-205 for the telephoto. Old school! :) Now, the thing is, when inspiration won't strike me or Josh, we resort to taking pictures of each other -- and that was definately the case for me this go around. So, here's a bunch of photos of Josh, his wife Lydia, and Lanette. I like the shot of Josh kissing his wife -- if that's not a sweet moment, I don't know what is! The feet are Lanette's, and the upside-down photo of Lanette is the result of me giving her the camera and asking her to use up the rest of the roll. :) Click any of the photos to enlarge them quite a bit in a new window.
A couple of weeks ago, Josh, Lydia, & I were going to go on a camping trip. We ended up aborting that idea after some jonesing jackass busted out the window of Josh's car and skipped off with Lydia's purse, but we did salvage the day by going on a photoshoot out in the wild and at James Arthur Vinyards. My digital camera is in the shop to help the tech repair one of my lenses, so I was stuck using my old EOS-3 & a 50mm for normal stuff and my mom's old OM-1 with a Vivitar 80-205 for the telephoto. Old school! :) Now, the thing is, when inspiration won't strike me or Josh, we resort to taking pictures of each other -- and that was definately the case for me this go around. So, here's a bunch of photos of Josh, his wife Lydia, and Lanette. I like the shot of Josh kissing his wife -- if that's not a sweet moment, I don't know what is! The feet are Lanette's, and the upside-down photo of Lanette is the result of me giving her the camera and asking her to use up the rest of the roll. :) Click any of the photos to enlarge them quite a bit in a new window.
Monday, July 24, 2006
New Smithsonian
Sunday, July 23, 2006
Supreme Court interior
Saturday, July 22, 2006
Friday, July 21, 2006
Thursday, July 20, 2006
Neverending story
Wednesday, July 19, 2006
Old article
I got this in the mail today -- it's a photocopy of an article I wrote just after 9/11. I'd forgotton that I'd even written this; rereading it now, what surprises me more than anything is that we're just as afraid today, now, five years later, as we were two weeks after the attack. You'll have to click the image above to read the text.
D.C. Impression
Tuesday, July 18, 2006
Pops!
This is a photo of my dad standing outside of the Smithsonian Air and Space hangar near Dulles airport. This is actually an HDR shot that I decided to tone completely funky for the fun of it. :) Of course, this was taken with a superwide lense, so pops is distorted quite a bit, but I still like it. Click to enlarge.
Monday, July 17, 2006
For Lanette
Someone pointed out that I missed posting a photo on Sunday, so here's one to make up!
I took this thinking of Lanette, who has a big thing for shooting feet. :) With a camera, of course. When she's using a gun, she tends to aim at other appendages. Click to enlarge.
Reading together
Saturday, July 15, 2006
Friday, July 14, 2006
Couple
Thursday, July 13, 2006
Do not lean
Wednesday, July 12, 2006
Genesis with Emily just after waking
This is another poem from around 5, maybe 6 years ago.
Genesis With Emily Just After Waking
Emily, it is not only that
I drink to hollow out my body.
My body hollow, I drink
to fill my body.
Why God chose to make me, Emily
I will never know.
I was made in a glass dish.
When I drink, I unbecome
That evening which unformed the voice of the ocean--
And your morning body
bridges the firmament.
Look at me Emily.
I have spent the entire morning watching
Your head rise the crest of my body.
Beneath the cathedral of my bone
The ocean notes gather-- firm
As the glass under the stars, the whispered
spirals of a conch
call out--
Genesis With Emily Just After Waking
Emily, it is not only that
I drink to hollow out my body.
My body hollow, I drink
to fill my body.
Why God chose to make me, Emily
I will never know.
I was made in a glass dish.
When I drink, I unbecome
That evening which unformed the voice of the ocean--
And your morning body
bridges the firmament.
Look at me Emily.
I have spent the entire morning watching
Your head rise the crest of my body.
Beneath the cathedral of my bone
The ocean notes gather-- firm
As the glass under the stars, the whispered
spirals of a conch
call out--
The bag lady
Tuesday, July 11, 2006
Floating under only the dusk
This poem was written almost 5 years ago as a companion to "At the Graveyard".
Floating Under Only The Dusk In Bridgeport, Nebraska
For B.
I
To swim here is murder.
The lonely eddies, flowing silt
the quicksand of the sandhills.
And when you sink, nose stopped
with mud, look up into the sun
drowned into brown, to night, to nothing-
II
The willows swap shadows, crickets
rolling in from the North.
There is only the dusk
between us now.
Above me, your abandoned sandals,
more dust than leather,
grow into the grass.
III
You were not there when they found me
my chest slumped in folds, like a fault
after the last trembler.
I drifted down like the stone Indian
perched on the Missouri
And storms marched over my grave.
IV
The underground makes home for none, but you
burrowed out your stake.
You, the quiet sentry,
crouched in stale air
And giants roam the earth.
You are the stone at the end of the world.
Beyond movement, the sand
carves lines along your face,
biding time
before the final fall.
V
My flowers sewn into the soil
You stoop, three months
into the dirt, to kiss the stone
my day of birth.
I have died empty, never trying you.
Floating Under Only The Dusk In Bridgeport, Nebraska
For B.
I
To swim here is murder.
The lonely eddies, flowing silt
the quicksand of the sandhills.
And when you sink, nose stopped
with mud, look up into the sun
drowned into brown, to night, to nothing-
II
The willows swap shadows, crickets
rolling in from the North.
There is only the dusk
between us now.
Above me, your abandoned sandals,
more dust than leather,
grow into the grass.
III
You were not there when they found me
my chest slumped in folds, like a fault
after the last trembler.
I drifted down like the stone Indian
perched on the Missouri
And storms marched over my grave.
IV
The underground makes home for none, but you
burrowed out your stake.
You, the quiet sentry,
crouched in stale air
And giants roam the earth.
You are the stone at the end of the world.
Beyond movement, the sand
carves lines along your face,
biding time
before the final fall.
V
My flowers sewn into the soil
You stoop, three months
into the dirt, to kiss the stone
my day of birth.
I have died empty, never trying you.
Capitol
Monday, July 10, 2006
Your first love
This poem is from a couple years ago. I haven't written much recently, though hopefully that'll change some time in the forseeable future.
Your First Love
You find her again by accident
crouched under the socks
in your nightstand.
It’s not really an accident.
You remember exactly where you were
when you took it,
what you were wearing,
what was on your mind.
You even remember
the brand and the make
of camera,
a Kodak Tourist II
your father bought for you
at the World’s Fair.
You run your hands over the glass.
You wonder if you’ll ever be able to bear it,
the weight of your own history.
You have long since given up
dusting her photograph, or even
remembering
just who it was who first slipped her
into the glass frame.
In your hands she is still and flat.
It is late and the room is too cold.
Somehow you know:
it’s like this everywhere,
all across November
the slack hands are digging out the old loves
from nightstands,
turning them over
and over again,
and wishing themselves
under glass.
Your First Love
You find her again by accident
crouched under the socks
in your nightstand.
It’s not really an accident.
You remember exactly where you were
when you took it,
what you were wearing,
what was on your mind.
You even remember
the brand and the make
of camera,
a Kodak Tourist II
your father bought for you
at the World’s Fair.
You run your hands over the glass.
You wonder if you’ll ever be able to bear it,
the weight of your own history.
You have long since given up
dusting her photograph, or even
remembering
just who it was who first slipped her
into the glass frame.
In your hands she is still and flat.
It is late and the room is too cold.
Somehow you know:
it’s like this everywhere,
all across November
the slack hands are digging out the old loves
from nightstands,
turning them over
and over again,
and wishing themselves
under glass.
The Enola Gay
Sunday, July 09, 2006
Another poem
Here's another. This one is from a good 5 years ago... it blows my mind how quickly time rolls by.
At the Graveyard
I hated God.
She frowns saying it, words
sharp periods above us.
The ground does not split.
To the east a floating hawk,
blue paint, white canvas curls,
Renae.
Against the sky. In a camera's cross,
Her hair sleeks forward, cuts air,
Black, flapping thunderbolts.
I have no camera. I wouldn't dare,
We may as well be on our knees.
Like Chartre, the dusty ghosts
Scrape shins for hours, each endless
a closing loop, the cloister
Still out of reach. Renae drags up
The gravel slope, up, and into a blue
Yawn. Just this morning
I think of us, seventeen in the Sioux
Tri-State, home of War Eagle,
Tossing milkcaps into the Missouri.
Past purple clots of Iowa deep
in Louisiana, who knows, maybe
They found open water. Few escape
Iowa, the running joke. Renae's father
Found Nebraska with an arc-welder
And a thousand tons of methane.
His shadow spinning small over the river,
And each black bone covered
By Con Agra, Blue Cross.
The hawk sails into the sun.
Knees rough into the gravel,
Renae clambers down her slope,
A handful of daises, and a white cross
sprung from her father's arm.
At the Graveyard
I hated God.
She frowns saying it, words
sharp periods above us.
The ground does not split.
To the east a floating hawk,
blue paint, white canvas curls,
Renae.
Against the sky. In a camera's cross,
Her hair sleeks forward, cuts air,
Black, flapping thunderbolts.
I have no camera. I wouldn't dare,
We may as well be on our knees.
Like Chartre, the dusty ghosts
Scrape shins for hours, each endless
a closing loop, the cloister
Still out of reach. Renae drags up
The gravel slope, up, and into a blue
Yawn. Just this morning
I think of us, seventeen in the Sioux
Tri-State, home of War Eagle,
Tossing milkcaps into the Missouri.
Past purple clots of Iowa deep
in Louisiana, who knows, maybe
They found open water. Few escape
Iowa, the running joke. Renae's father
Found Nebraska with an arc-welder
And a thousand tons of methane.
His shadow spinning small over the river,
And each black bone covered
By Con Agra, Blue Cross.
The hawk sails into the sun.
Knees rough into the gravel,
Renae clambers down her slope,
A handful of daises, and a white cross
sprung from her father's arm.
Saturday, July 08, 2006
Mounties
Another poem
Someone mentioned in a comment that they'd like to see more poems, & I'm happy to oblige! This is a poem that a friend actually asked me to write. She was contemplating breaking up with someone, and wanted a poem called "Breaking Up Is Hard to Do". How the space shuttle ended up in it, I dunno, but it seemed right. This is actually a revision of something I posted earlier. Not sure if I like the revision more than the original or not.
Breaking up is hard to do
You clamp down your helmet,
a fireball in the deep.
Your belt forms a cross across
your chest. If you have been falling
for weeks, you couldn't know it:
Your circle carves a pivot
anchored in void.
There is no safety net,
the weight of your bones
tipped into cloud.
This was the time to end it,
time to come home.
You couldn't have known
This poem ends like a snowflake.
It is easy to ignore the way your wings
yawn back, the pinch of fire
under your chest. Soon you
forget it all; the scent
of melting wax, the alarms,
the quaking sky. The nagging
deceleration.
The wind opens you up.
You explode somewhere over Texas, your bones
snapped on the knee of the sky.
Your helmet is found melted into the grass
of the only abandoned Seven Eleven
in Sandy Creek, Texas.
Two children stand hand in hand in a wood,
their tongues outstretched.
You are coming home.
Breaking up is hard to do
You clamp down your helmet,
a fireball in the deep.
Your belt forms a cross across
your chest. If you have been falling
for weeks, you couldn't know it:
Your circle carves a pivot
anchored in void.
There is no safety net,
the weight of your bones
tipped into cloud.
This was the time to end it,
time to come home.
You couldn't have known
This poem ends like a snowflake.
It is easy to ignore the way your wings
yawn back, the pinch of fire
under your chest. Soon you
forget it all; the scent
of melting wax, the alarms,
the quaking sky. The nagging
deceleration.
The wind opens you up.
You explode somewhere over Texas, your bones
snapped on the knee of the sky.
Your helmet is found melted into the grass
of the only abandoned Seven Eleven
in Sandy Creek, Texas.
Two children stand hand in hand in a wood,
their tongues outstretched.
You are coming home.
Friday, July 07, 2006
Swing
Thursday, July 06, 2006
Reading
Wednesday, July 05, 2006
Teenagers
Tuesday, July 04, 2006
The least of these
Monday, July 03, 2006
A poem that Google Desktop found on my computer
Apparently, I wrote this four years ago. I then inadvertently buried it on my computer, and Google Desktop found it for me today. Despite the fact that it was one of the poems that I wrote back when I wrote poems that were far too obscure and impossible to penetrate (read: way too pretentious and self-gratifying), it really amuses the hell out of me that Google is now mining interesting stuff from my own freakin' hard drive. Is there anything the Google nerds can't do? Anyway, I can't access my pictures right now, so I'll post this instead:
Running Away
In my dream you are running away
West, through the silos
of Nebraska,
where our fathers still crouch
in pressured holes.
You are running west and
Brian is there, waving
from Bridgeport lake, that carved edge
of dusk,
You lift through Rushmore.
The wind works on the dead men
with blank, powdered hands.
In my dream
You wave back.
At Crazy Horse, selling cigars,
At the blasting teams,
swinging their arcs in time.
You always land here
at the end of the world.
You trace the whorls
cut deep into rock, like
fingerprints.
I lay my staff down.
Even here, the wild Jasmine
push up through shale,
and Daisies,
white as ghosts,
bend in long light.
The clouds over Valentine
Rise up on fighting legs.
Running Away
In my dream you are running away
West, through the silos
of Nebraska,
where our fathers still crouch
in pressured holes.
You are running west and
Brian is there, waving
from Bridgeport lake, that carved edge
of dusk,
You lift through Rushmore.
The wind works on the dead men
with blank, powdered hands.
In my dream
You wave back.
At Crazy Horse, selling cigars,
At the blasting teams,
swinging their arcs in time.
You always land here
at the end of the world.
You trace the whorls
cut deep into rock, like
fingerprints.
I lay my staff down.
Even here, the wild Jasmine
push up through shale,
and Daisies,
white as ghosts,
bend in long light.
The clouds over Valentine
Rise up on fighting legs.