Local Lincoln Church in HDR

I had to shoot a wedding this past week; I've been going through the shots. I made a point of shooting an HDR of the place (St. Teresa) while I was there. Not quite Notre Dame, but not bad for Lincoln, Nebraska. :)

The Badlands

Ah, the Badlands! A startlingly cool geological oddity in southern South Dakota -- it seems like it belongs in Arizona, not the northern high plains. If you look close, you can see a hawk soaring over the landscape. :) This is a shot from 2002; it was shot on Velvia with a Canon EOS-3 and a Sigma 70-200 2.8EX lens.

Oldie but Goodie

Click to enlarge (huge) in a new window.



This is from an old storm chase last year. Me and Josh were on a supercell near Clay Center Kansas, if I remember correctly, following it north as it dropped several tornadoes. We were on the ass end of it, so while we did get to see the tornado, it was from quite some distance (about 5 or 6 miles), and we never had much chance of catching up to it, mostly because it was moving quickly and we had to, at one point, stop to wait for it to cross the road a couple miles in front of us. (Unfortunately, it was on the other side of the precip that time, so no pics of the tube. I kinda wish we'd stopped and taken a couple snaps of the damage path; it was eerie to see the exploded grain silo scattered across the highway and the lush green farm fields. I made this one extra big for web resolution because it loses a bit of impact when it's tinier. Yes, it's registered at the U.S. Copyright Office. :)



This was taken with a Canon 20D, using a Canon EF-S 10-20mm lens backed out to 10mm. Exposure is 1/100th at f/5, ISO 100.

HDR of a house in Kearney

This is an HDR photo of a home in Kearney, Nebraska. It was assembled with Photoshop CS3 using 9 photographs, each spaced one stop apart, at f/5.6 using a 20D and a Canon 10-22 lens. The shortest exposure was 1/2 second, the longest was 242 seconds.

Yes, I'm in SiCKO

Okay, okay, okay, I'll write a blog post about this. :) I usually don't put much in the way of personal stuff up here, as it's not really of interest to the wide world, and most people I know get to hear about my riveting life (ha!) in person.



So, some backstory. Last year, I took a trip with my dad to New York City and got a chance to snap about a brazillian photos of the place -- it's an extremely photogenic town. I ended up with a candid shot of Samuel Jackson, an illustration of me in Time magazine, and a whole slew of other awesome photos. And now, it seems, I ended up in a major motion picture. :)



Basically, our hotel was across the bay (Jersey side) from the WTC construction site, and getting to Manhattan meant riding the PATH to the WTC station. (This was a surreal experience in itself, as the train circled the entire perimeter of where the buildings were, and you ended up looking out into a massive hole of construction.) While we were at the WTC site, my dad noticed that there was some kind of press conference being set up. It turned out to be Pataki -- and since I was in NYC to take photos of anything halfway interesting, I figured the NYC governor would make a nice snap. Of course, I had to shoot from outside the fence, as the public weren't allowed into the "public press conference"; only the press was.



So anyhow, the other day I downloaded the torrent of SiCKO. Normally I don't download online movies, as it's a good way to end up on the other end of a lawsuit barrel, but the film's creator, Michael Moore, had already said publicly that he didn't give a fig if people downloaded it online. Good on you, fine sir! About an hour and 36 minutes into the movie, they cut to a Pataki press conference at the site of the former WTC buildings -- and I said to myself, "self, that looks just like the press conference I stumbled on!". And then, suddenly, I'm having an out of body experience:







Yup! That's me on the left, with my telephoto wedged through the gap in the fence. My dad is the dude in the background with the sunglasses, craning his neck to see what's going on. They actually start out with a zoom on me, then pan out and to the right. NYC is truely a hub of media -- on just the first day wandering around, I ended up in a movie, in a magazine, and getting a picture of a A-list movie actor. And on top of it all, you can hardly drop your camera there without taking a great photograph. :)

Space Simulator

I'm not a big fan of games these days -- for the most part, there just isn't time, and really, there are so many better things a man can do with his life than play with a computer or a Playstation.



However, over the years, there were a few that captured my imagination -- one of them being Microsoft Space Simulator. What made Space Simulator something special was that it literally put you in a space craft and allowed you to do, go, or land anywhere that you wanted in the the solar system -- and it even had a feature that allowed a type of "fantasy" ship with drives that would get you up near light speed. With time accelleration, you could visit other stars -- and it all fell within the realm of 'real' physics. Of course, if you didn't know a whig about orbital mechanics, the game would do all the hard work for you and let you cheat -- nobody wants to learn math to play games, right? :)



I'd pretty much forgotton about it, but then I discovered a couple years back that someone had taken the idea and ran with it -- in an open source, freeware kind of way. The result was something called "Orbiter: Space Flight Simulator", and it is just exactly that. This is, first and foremost, a simulator of physics; while it is technically a 'game', there are no real objectives other than trying to get, say, the space shuttle into a stable orbit or to do the complex orbital calculations required to get your landlubber butt to the moon. And I really do mean that -- the game's website reccomends that anyone who wants to try the game read a large primer on orbital mechanics and physics. Learning how to get into a stable orbit takes quite a bit of time; learning to get to and dock with the ISS is nearly impossible, and a moon shot is so complicated that you wonder how in the hell anyone ever managed to do it.



Now, as far as the shuttle is concerned, the game is somewhat unrealistic in that it forces the player to manually fly the thing. The shuttle is mostly flown by computer; the astronauts generally sit there and run through checkflights, pressing buttons and flipping switches -- they aren't expected to manually roll and pitch the shuttle during the ascent and re-entry, at least up until the actual landing. But it's a great simulator of what it'd be like if you literally had to grab the stick of the shuttle and pilot it into space.



Anyhow, what makes this game interesting is that it actually makes you a bit smarter. If you can figure out how to get into orbit, you understand quite a bit more about physics than you did when you started, unless physics is already your specialty. If you can figure out how to execute an orbital transfer to Mars, you probably know more than most freshman Physics students about orbital mechanics. I've often thought that one of the best ways to learn things via computers is by experiments and simulations that allow you to play with settings and try different things and see what happens -- this game does exactly that.

Above is a video capture of a shuttle from launch to the beginning of orbital insertion (there is still a good 5 minutes of burn left after the end of this video, and a apoapsis burn on the other side of the planet, but that would be boring.)

Insane lightning photos

I don't tend to post too many links here, but this has to be seen:



Truely *incredible* lightning photos



As the thread describes, these are photos of lightning taken by a Frenchman in the northern Alps, looking down on the city of Geneva. I can't imagine the kind of courage it takes to step outside with a metal tripod when the base of the thunderstorm is almost level with you and you are looking *down* on lightning -- but the risk sure paid off in this case!

Broken Bow stormchase

Been a while since I've posted -- I've been a busy bee! Here are photos from a recent storm chase just north of Broken Bow, Nebraska, on June 6th.






I took the day off work and zipped over to Kearney to pick up my friend, Darren. We waited around for a bit looking at data, then decided to go north to Broken Bow. The cap was a serious issue that day -- I was pretty pessimistic about it breaking, really. We settled down at an awesome soda shop in 'downtown' Broken Bow -- and they weren't kidding about the soda shop thing, either; they had every soda concoction known to man.






After a while, a couple of guys who were sitting in the corner came up and said hi -- they turned out to be storm chasers too. Data starved chasers, at that; they'd driven all the way from Salt Lake City when their laptop gave out on them, and all they had for data was some nowcaster in California that kept calling them. Eventually the cap DID break; it was rather spectacular, too, as an outflow boundary from Colorado smashed into the retreating dryline and literally sent up a 200 mile long severe squall line in less than 15 minutes. This happened in a clear blue sky, mind you. On initiation, we drove east a bit and then north to try to keep up with a storm out ahead of the line. This was a bit of a task, as they were zipping to the northeast at 45 knots.






So, we got to Sargent, NE, and paused in the parking lot of a gas station to behold the insane squall that had formed. It was getting quite dark, and we tried to watching among the lightning flickers for any signs of a lowering. You don't usually get tornadoes in a squall line, but there actually was an embedded supercell to our southwest putting a brief tornado down near Broken Bow (DOH!).












Eventually, the squall started to catch up with us and we zotted east. As we were going east, the gust front caught us. We pulled over and got out as a rather large, rotating gustnado formed about 200 yards to our south. (No photos -- way too dark.) This actually startled me a bit; as I hadn't noticed it until Darren (who was driving) pointed it out. Right behind that was what the dark had hidden -- a haboob. Talk about getting dirt blasted -- I literally had dirt in my teeth when I got back into the car.






We moved on a bit more, then stopped when we got near another clearing. This is how dusty it is in the wake of a haboob!



In summary, no tornadoes seen, but all in all a very fun chase. I'm still hoping to see a great supercell this season, though time is starting to run out. Here's to hoping that I can get Darren a glimpse of his mothership before the year is out!



BTW, this picture was begging for this:

Today's photo is an abstract of some hay bales we ran across in rural Nebraska. These bales were right in front of a barn that Lanette shot -- so this is my proof, Lanette, that I wasn't stealing your shot! ;) Click to enlarge.

Love and Marriage

No updates lately -- I'm engaged! :) The above picture of me and my sweetheart, Jasmin, was taken by her father, Darren, with my camera. (Click to enlarge.) I love you, Yasmine!

Reeds and the Heron

Today's photos are of Holmes lake; one is an abstract of the reeds in the water, and the other is a Heron stalking a fish. It's such a wonderful park for being in the middle of a city. :) Click to enlarge.

Hey you guys!

Today's photos are some of the "fun" shots from my last photo excursion when Josh and Lanette came down to visit. :) We tend to end up taking a bunch of goofy pics of each other when we get bored.



That bridge kinda creeped me out -- the whole thing was held up with ropes, causing it to wobble around when you walked on it. It was a bit like Indiana Jones.



You'll also notice that Josh has the biggest hair in the known universe. I keep telling him he needs to make it a true 'fro!



Click any of the photos below to enlarge.

Holmes Lake Abstract #4

Some shadows on a bridge at Holmes Lake. Click to enlarge.

HDR shots from around

These are the last 3 HDR shots from my little photo jaunt with Josh and Lanette. The church is near Wahoo, Nebraska, and the courthouse is the official Wahoo courthouse. :) The photo of Josh is from Holmes lake; props to him for holding very, very still as I cycled through the stops. The courthouse and the church were all assembled in Photoshop from around 10 photos, 1EV brackets, tripoded and cable released. The shot of Josh was taken from 6 photos, 1EV brackets, tripoded and cable released. Click to enlarge.

Fishing

Here are a couple silhouette shots of a father and son fishing at Holmes Lake in Lincoln, Nebraska. I'm getting to the end of this series, so I think I'll post a photo blitz some time in the near future and move on to other topics. :) Click to enlarge.

Holmes Lake Candids

Today's photos are candids from the local Holmes Lake. The bottom one isn't the best shot, but what really gets me is... well, just look at it! I swear I didn't do any photoshop manipulation on it. It's just one of those funny products of juxtaposition. :) Click to enlarge.

Swimming into the Sunset

A duck swims into the sunset at Holmes lake here in Lincoln, Nebraska. I like the ripples in the water more than anything in this shot -- it gives it a bit of an abstract feel. Click to enlarge.

Sixth Sense

I dunno what it is, but sometimes when I'm shooting a candid of someone, they get a sixth sense and turn around and look at me. This woman was a good 50 yards away and had no idea I was pointing a camera at her. And then... :) Click to enlarge.

Great Blue Heron

While we were at Holmes Lake, we noticed a couple Great Blue Herons winging around. Eventually, one of them landed rather close to the banks. You'd think these birds would be afraid of guys with cameras, but they were more than happy to just sit there chilling by the side of the lake, stalking for fish. They are extraordinarily large birds; they remind me of the Sandhills Cranes. Click to enlarge.

Leap of Faith

A bluejay takes off in Pioneers Park in Lincoln, Nebraska. Normally I'd think this was a pretty boring photo, but to me the fact that he hasn't opened his wings up yet makes the whole thing seem a bit abstract. Click to enlarge.

Fishing at Dusk

A man fishes at dusk at Holmes Lake. This looks tranquil and relaxing and fun, and I suppose it probably was with enough bug spray. :) We photographers, though, packed it in for the night after getting assaulted by a brazillian midges and mosquites. (This was after pulling three ticks off me earlier in the day -- Nebraska may not be the Amazon, but it has its fair share of creepy critters!) Click to enlarge.

Holmes Lake Abstracts

With all the color and the texure at sunset at Holmes Lake on our last photo shoot, I had to try for a few abstract shots. :) We really do get the most incredible and colorful sunsets in Nebraska. Josh, who grew up in Nebraska and was back visiting from Vermont, mentioned that it's something that we take for granted here -- they just don't get the kinds of great sunsets in Vermont that we do here. Click to enlarge.

Mars Spaceport

Today's photo is of a spaceport on Mars.



Oh, OKAY, it's actually just a negative of a construction site. Jeeze, I can't get anything by you people. Click to enlarge. :)

Wahoo Church (II)

This is another HDR shot of the Wahoo church. I like this one a bit more; this is an HDR photo created by with 11 photos bracketed 1 stop apart, tripoded and cable released. Assembled, downsampled, and converted to BW with CS3. Yes, the sun really was behind it -- that's why it glows. :) Click to enlarge.

Llama Love

Today's photos are from my last photo excursion. Somewhere out in the middle of nowhere, Nebraska, we came across a farm with a pack of llamas. "Tina, you fat lard, come get some DINNER!"



While I was shooting, a mother llama started showing some love to her llama kid. Awwwwww! Baby llama drama. Click to enlarge. :)

Box 13

Shot this at Pioneer's park -- this is a female Tree Swallow camping out on a bird box in the nature reserve. I wish I had a bit higher perch and a bit longer lens in this shot. :) Click to enlarge.

Stormy Day!

I didn't have a chance to go storm chasing yesterday (I had to work), but that didn't stop the storms from coming to me. ;) I took this atop a parking garage on break. It's not really composed that well, but given that CGs were dropping all over the place and I was standing atop a 7 story building, the best I could do was lean my head out the door of the elevator room with my camera and snap what I could from where I was. At any rate, the storm above was originally a tornado warned supercell, but had transformed into something a bit more linear at this point. Sure looked amazing as it rolled into town, though. :)

Get lost!

A turtle lets me know what he thinks of him. :) Shot a Pioneers Park. This lil' guy was captive and way too busy eating lettuce to be my pal.

Northern Flicker

Today's photo is of a Northern Flicker at Pioneer's Park. I ended up using a fill flash on this one -- sometimes that works if you're close enough. Click to enlarge.

FARK.com's new old copyright policy

FARK.com has revised their legal verbage in their TOS regarding copyright. In a previous post, I pointed out that FARK.com's copyright policy, as originally worded in their TOS, actually attempted to transfer the copyright of all submitted content to FARK, with FARK then granting you, the author, back permission to use your content however you like, short of selling it, since of course they would own it. Others pointed out that, in reality, FARK's wording violated copyright laws and was thus invalid and nonbinding. (I am not a lawyer, so I can't verify this.)



An excerpt from the new copyright policy over at FARK states (emphasis mine):



Fark.com permits the submission of text, photographs, opinions, comments and/or other forms of communication submitted by you and other users ("Submissions") and the hosting, sharing and publication of such Submissions. You agree that you are solely responsible for your own Submissions and affirm, represent, and/or warrant that you own or have the necessary licenses, rights, consents, and permissions to use and authorize Fark.com to use all patent trademark, trade secret, copyright or other proprietary rights in and to any and all Submissions to enable inclusion and use of the Submissions in the manner contemplated by Fark.com. You retain all ownership rights in your Submissions. However, by submitting the Submissions to Fark.com, you hereby grant Fark.com a non-exclusive, royalty-free, sublicenseable and transferable license to use, reproduce, distribute, prepare derivative works of, display, and perform the Submissions in connection with Fark.com and Fark.com's business, including without limitation for promoting and redistributing part or all of Fark.com (and derivative works thereof) in any media formats and through any media channels/outlets



If the legal wording that this replaced were actually legally binding, this would have been an improvement. However, it is important for a sumbitter of content to understand what FARK is claiming for themselves here. First off, the royalty free license they grant themselves in the current language means that anything that you submit to FARK.com can be used by FARK all they want, not just on their site, but also in advertisements online, in print, on television, on banners wrapped around the Empire State Building -- basically, any way that they want. This extends far beyond what is required to protect FARK from lawsuits stemming from someone posting their content on the FARK.com website. As it stands now, if someone at FARK decides to write a FARK book, the owners of FARK (Drew, presumbly) is/are claiming that they can put, say, that photoshopped image you submitted to FARK in it to their heart's content and not give you a dime. This may seem trivial, but typical licensing for this type of usage is at least hundreds of dollars per image. Or, say, if you entered into the weekly photo contest and submitted an incredible image, FARK could use that image in advertisements all over the net or in magazines or on television. (Admittedly, FARK doesn't do much advertising; it's cool enough that the people who would like it just end up eventually finding it.) This kind of useage could run into the thousands of dollars, normally. Now, there are lots of folks out there who would kindly donate for free their content to help FARK advertise (I'm not one of them) -- that's not the problem. The problem is that FARK takes this right without asking you about it. And these rights serve no purpose other than to line FARK's pocket -- there is no legal protection derived by allowing them to put your photo or photoshop image on coffee mugs and t-shirts and SpikeTV. All FARK really needs legal permission is to display your content on their website.



The second issue revolves around FARK's declared freedom to sublicense or transfer the license they just made you give them. This is, in effect, a copyright grab. As I read it (and again, I am not a lawyer), FARK is saying that they are allowed to re-sell or give away your content to anyone they want to to be used for any purpose under the sun without asking your or paying you a dime. So, say, you take a kick-ass photograph and submit it to the weekly farktography contest. FARK is claiming the right to sell the unlimited rights to that photograph to advertisers or to give it away altogether. Any profits made on the content goes into FARK's bank account, not yours. Again, the license is "Royalty Free", meaning that once the license is transferred, it can be used for anything at all as much as is desired. You are, of course, free to license and sell the content yourself, but FARK retains the right to do it, too (in what would be, in effect, competition with you.) I don't know why they feel they would need these kinds of rights; I'd be glad to hear it. Anoyher difficulty is that by granting FARK a transferrable, sublicensable Royalty Free license to your content, you can never again sell that content as Rights Managed again. That will sound like Greek to a lot of readers, but it's actually a pretty big deal if you are someone who sells licenses to your content. The bulk of high quality photography, for example, is sold as rights managed and nets a great deal more money more per sale (and is more likely to be desired in a major advertisement campaign) than it would as a RF image. Again, this probably doesn't impact a great number of people, but those who this does impact will know right away what a problem this poses and will probably refrain from posting anything half-marketable to FARK.



Now, I'll be honest: I've read FARK for years and I trust Drew Curtis isn't trying to start a stock photography/smart-assed comments agency from all the content submitted to FARK. FARK's yet to try to do anything nefarious, and I doubt that under current management, they ever would. The problem with legalities like this is that by reserving the rights to do these kinds of things, FARK is both leaving the door open for future abuses and is raising the question as to why they feel they need these kinds of grabby rights to begin with. FARK may feel limited in explaining these things, since attempting to explain a contract sometimes has the effect of negating it, but ultimately I'm left kinda puzzled. Granted, Drew may just be handing this stuff to a lawyer and and not effectively communicating to the lawyer that he actually gives a crap about the rights of the content submitter (most lawyers, I think, assume by default that you don't), I don't know. But the current revision, while being a step forward (in that it isn't actually illegal under federal copyright law), still isn't a very palatable prospect for a content submitter. If this language were attached to, say, a photography contest, I would steer well clear of it. Having seen how FARK works, I trust Drew a bit more than some random national photography contest, but I still can't see myself feeling safe submitting content (mainly in the form of photographs to their Farktography contests and Photoshopped images to their photoshop contests) to FARK under these current conditions.

Church near Wahoo

A rural church and graveyard near Wahoo, Nebraska. Shot in HDR; 10 photos total, each bracketed 1 stop apart, tripoded and cable released. Combined and downsampled in Photoshop CS3, then converted to B/W sepia with the CS3 grayscale tool. I'm still not entirely satisfied with it -- I have a few toning artifacts in there that I want to get rid of, but I didn't have the heart in me to start all over again. :) Click to enlarge.